Oliver Stevens
Oliver Stevens is a graduate of Hamilton College with honors in Cinema and Media Studies, a connoisseur of minor league baseball, and a recently converted devotee of döner kebabs.
Oliver Stevens is a graduate of Hamilton College with honors in Cinema and Media Studies, a connoisseur of minor league baseball, and a recently converted devotee of döner kebabs.
It has quietly become assumed that every film and series is there to give us clear commentary about the here and now. But in thinking this way, we shut down the interaction between art and culture and let culture call all the shots.
Ryûsuke Hamaguchi's contemplative tale of mankind's offenses against nature will not let itself be reduced to a simple fable of good and bad.
Clint Eastwood's courtroom drama has a compelling concept, until it goes out of its way for a scene to recreate 12 Angry Men beat for beat. In doing so, it obscures its own thematic interests.
A television show's opening credits give free reign to creativity and style, leading to stunning sequences that become indispensable parts of their series.
Plot points. Plot twists. Plot holes. The plot thickens. Watch it for the plot. How about we focus on actual artistry instead?
Movie theaters are an endangered species, but they are an indisposable part of the cinematic ecosystem. If you care about film, support the ones near you.